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・ Henry Fitzalan-Howard, Earl of Arundel
・ Henry FitzClarence
・ Henry Fitzgeffrey
・ Henry FitzGerald
・ Henry FitzGerald, 12th Earl of Kildare
・ Henry FitzGerald-de Ros, 22nd Baron de Ros
・ Henry fitzGerold
・ Henry F. Hollis
・ Henry F. Johnson
・ Henry F. Lawrence
・ Henry F. Lippitt
・ Henry F. Ludorf
・ Henry F. Mann
・ Henry F. Mason
・ Henry F. May
Henry F. Miller House
・ Henry F. Naphen
・ Henry F. Niedringhaus
・ Henry F. Peterson
・ Henry F. Phillips
・ Henry F. Pringle
・ Henry F. Pulitzer
・ Henry F. Schaefer, III
・ Henry F. Schricker
・ Henry F. Schricker (bust)
・ Henry F. Schroeder
・ Henry F. Spaulding Coachman's House
・ Henry F. Starbuck
・ Henry F. Teschemacher
・ Henry F. Thomas


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Henry F. Miller House : ウィキペディア英語版
Henry F. Miller House

The Henry F. Miller house is an international style house at 30 Derby Street in Orange, Connecticut on the United States National Register of Historic Places. The house was designed and built in 1948-1949 by Henry F. Miller as a thesis project for a Master of Architecture at the Yale School of Architecture. The house was one of the areas first modern houses and was featured in the New Haven Register as "The House of Tomorrow". It was open to visitors for a few weeks after completion to raise funds for the New Haven Boy's Club. It was viewed with "wild anticipation," and about 25,000 people paid a small admission to see it.〔Richard Weizel, "Architectural Trend Still Stirs Passions," ''The New York Times'', August 26, 2001.〕 The house was also covered in House Beautiful as part of a series on "The New American Style."〔
This house embodies many characteristics of the International Style, as adapted to the single-family suburban house, including an open plan with movable walls, flat roof, inclusion of modern conveniences, careful attention to environmental and functional considerations, avoidance of ornament, and extensive use of glass.〔United States. Dept. of the Interior. May 4, 2001. National Register of Historic Places Continuation Sheet: Henry F. Miller House, Orange, New Haven County, CT. Washington, DC: U.S. Dept. of the Interior: National Park Service.〕 The house was designed to take full advantage of its unique site on the side of a hill. Connecticut has an unusually large concentration of international style houses, including the most famous, Johnson's Glass House.〔 Originally developed in Europe as a new system of building that took advantage of modern technological advances and embraced an unornamented, machine-made esthetic transcending regional or national characteristics, the International Style absorbed some natural materials and regional features in the years just before and after World War II.〔
The following information was a portion of the National Register of Historic Places application form compiled by Christopher Wigren, Architectural Historian, Connecticut Trust for Historic Preservation, Vice President.〔
==Background==

Miller was an architecture student at Yale and chose to design a modern house for his thesis project. Upon completion, Miller and his wife lived in the house. As their family grew the Millers added a new master bedroom, study, and playroom in 1959, but the addition carefully followed the lines and style of the original.〔
In the New Haven area, George Kreye, a professor of German at Yale, had designed an international style house in 1935. Of the postwar houses, the Miller house was one of the first, but others soon joined it. Also in
Orange was the Clark house, designed by Marcel Breuer and completed in 1951, utilizing the rough
fieldstone and binuclear plan that were typical of Breuer's work at that time. In other New Haven
suburbs, modern houses were built by young architects like Peter Hale, Carlton Granberry, King-lui Wu and
Robert Coolidge or by established architects like Douglas Orr who adopted Modernism. Vincent Scully designed his own house in Woodbridge.〔
The Miller house helped the spread of Modern architecture in Connecticut and the United States. Yale was one of the leading architecture schools in promoting the Modern movement, and its faculty and students made the New Haven area a center of post-war Modernism in Connecticut and the United States.〔
In the ''House Beautiful'' article on the Miller house as part of that magazine's ongoing coverage of what it called "the New American Style", the article stressed economy and technology in addition to aesthetics. Its opening also suggests the difficulty of convincing average Americans to consider Modern architecture:

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